FESTIVITY’S SUBJECTS IN B. POPLAVSKIY’S POETRY
The article analyzes the semantics of the lyrical themes related to the situations of the festivity in its different variations: funeral processions, circus performances and others. It is deduced that the importance of these lyrical subjects in the contest of the city’s image and in the aspect of their connection with the inner life of the lyrical hero. It should be noted that there are cases of contamination of different type of festivity in a single poetic text. Nevertheless it doesn’t mean that the individual content and form of each type of festivity’s system is missing. The author marks the motives of festivity’s lack of organicity, participants’ tiredness from their own dissembling. The situation of festivity is included in the context of ontological bases of being, principles of time and death. The importance of festivity’s catastrophic conclusion, when the man is unable to defend himself from tragic state of the world is deduced. Those texts in which emerges the phantasmagoric scene of the Ball of the dead men occupy a particular position. This scene represents the generation of the lyrical hero-poet’s inner world. This kind of festive plots’ transformation incarnate the idea of tragic bases of creative gift.
Keywords: B. Poplavskiy, lyrical subject, lyrical hero, festivity
References:
1. Poplavskiy B. Sobraniye sochineniy: v 3 t. T. 1. Stikhotvoreniya [Collected works in three volumes. First volume. Poetry]. Moscow, Knizhitsa Publ.; Russkiy put’; Soglasiye Publ., 2009 (in Russian).
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3. Tokarev D. V. Mezhdu Indiey i Gegelem: tvorchestvo Borisa Poplavskogo v komparativnoy perspective [Between India and Hegel. Boris Poplavskiy’s works in a comparative perspective]. Moscow, Novoye literaturnoye obozreniye Publ., 2011. P. 347 (in Russian).
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Issue: 6, 2015
Series of issue: Issue 6
Rubric: RUSSIAN AND FOREIGN LITERATURE OF THE XX CENTURY
Pages: 197 — 200
Downloads: 562