“THE SYSTEM OF INVENTED SIGNS IS TERNING THE WHOLE WORLD…”: POLEMIC OF A. V. MAKEDONOV WITH SEMEIOLOGISTS
The article deals with the aesthetic views of A. V. Makedonov – a famous literary critic and historian of the Soviet literature and post-Soviet periods. He was a supporter of the scientific concept of perceiving art as a constantly evolving knowledge of objective reality in the form of a second subjective-objective reality. The basic aesthetic views of Makedonov are connected with German classical aesthetics, particularly the philosophy of G.W.F. Gegel, the works of V. G. Belinsky and N. G. Chernyshevsky. In his works of the 1960–1980s, he was engaged in a polemic with Russian and foreign supporters of the theory of semiotics, in particular with Yu. M. Lotman. The researcher tried to prove that, despite a number of accurate statements, his opponents failed to determine the specificity of art as they tried to reduce all the originality of artistic creativity to the characteristics of different sign systems and as well as to reject the study of artistic image as a way to acquire knowledge about objective reality.
Keywords: art, aesthetic sign, image, model, A. V. Makedonov, Yu. M. Lotman
References:
1. Khanzen-Leve O. A. Russkiy formalizm. Formalizm: metodologicheskaya rekonstruktsiya razvitiya na osnove printsipa ostraneniya [Russian formalism: Methodological reconstruction of the development on the basis of the principle of estrangement]. Per. s nem. S. A. Romashko. Moscow, Yazyki russkoy kul'tury Publ., 2001. 672 p. (in Russian).
2. Emerson K. Literaturnye teorii 1920-kh godov: chetyre napravleniya i odin praktikum [Literary theories of the 1920-ies: four directions and one workshop]. Istoriya russkoy literaturnoy kritiki: sovetskaya i postsovetskaya epokha [The history of Russian literary criticism: the Soviet and post-Soviet era]. Pod red. E. Dobrenko i G. Tikhonova. Moscow, 2011. 792 p. (in Russian).
3. Kalinin I. Tartusko-moskovskaya semioticheskaya shkola: semioticheskaya model' kul'tury [Tartu-Moscow semiotic school: a semiotic model of culture]. Novoye literaturnoye obozreniye – New Literary Review, 2009, no. 98. URL: http://magazines.russ.ru/nlo/2009/98/ka6.html (accessed 5 May 2015) (in Russian).
4. Strukturalizm: “za” i “protiv” [Structuralism: “for” and “against”]. Red. E. Ya. Basin, M. Ya. Polyakov. Moscow, Progress Publ., 1975. 469 p. (in Russian).
5. Kotova E. L. “Ya imeyu odno pechal'noye preimushchestvo…”: Peripetii sud'by A. V. Makedonova (1909–1994) [“I have one sad advantage”: the Vicissitudes of V. A. Makedonov’ fate (1909–1994)]. Izvestiya Smolenskogo gosudarstvennogo universiteta – News of Smolensk State University, 2010, № 1 (9), pp. 40–58 (in Russian).
6. Bychkov V. V. Estetika [Aesthetics]. Moscow, Akademicheskiy proekt Publ., 2011. URL: http://www.erlib.com/Виктор_Бычков/Эстетика/1/(accessed 12 May 2015) (in Russian).
7. Makedonov A. V. Znak i obraz v estetike Gegelya [Sign and image in Hegel's aesthetics]. Estetika Gegelya i sovremennost' [Hegel's Aesthetics and Modernity]. Moscow, Izobrazitel'noye iskusstvo Publ., 1984. 272 p. (in Russian).
8. Zabolotskiy N. A. Izbrannye proizvedeniya v 2 t. [Selected worksin 2 vol.]. Moscow, 1972 (in Russian).
9. Uellek R., Uorren O. Teoriya literatury [theory of literature]. Perevod A. Zvereva, V. Kharitonova, I. Il'ina. Moscow, Progress Publ., 1978. 328 p. (in Russian).
10. Lotman Yu. M. Struktura khudozhestvennogo teksta [The structure of the poetic text]. Ob iskusstve [About art]. St. Petersburg, Iskusstvo-SPB Publ., 2005. 704 p. (in Russian).
11. Makedonov A. V. Analiz khudozhestvennogo masterstva [Analysis of artistic skill]. Sovremennaya literaturno-khudozhestvennaya kritika: aktual'nye problemy [Contemporary Literary Criticism: Current problems]. Pod red. Yu. Andreeva. Leningrad, Nauka Publ., 1975. Pp. 44–106 (in Russian).
12. Lotman Yu. M. Lektsii po struktural'noy poetike [Lectures on structural poetics]. Yu. M. Lotman i tartusko-moskovskaya semioticheskaya shkola [Yu. M. Lotman and the Tartu-Moscow school of semiotics]. Moscow, Gnozis Publ., 1994. 560 p. (in Russian).
13. Makedonov A. V. Sversheniye i kanuny: O poetike russkoy sovetskoy liriki 1930–1970-kh godov [The accomplishment and the eves: On the poetics of the Russian Soviet lyrics 1930–1970-ies]. Leningrad, Sovetskiy pisatel' Publ., 1985. 360 p. (in Russian).
14. Egorov B. F. O masterstve literaturnoy kritiki: Zhanry. Kompozitsiya. Stil' [About the art of literary criticism: Genres. Composition. Style]. Leningrad, Sovetskiy pisatel' Publ., 1980. 320 p. (in Russian).
15. Kotova E. L. “V iskusstve – vse sredstvo i vse tsel'”: osnovy kriticheskoy refl eksii A. V. Makedonova [“In art everythibg is the tool and all is purpose”: the fundamentals of critical refl ection of A. V. Makedonov]. Russkaya fi lologiya: Uchenye zapiski kafedry literatury i metodiki ee prepodavaniya SmolGU – Russian philology: Scientists note by the department of literature and its teaching methodology of SmolSU. Vol. 16. Smolensk, Svitok Publ., 2015. 336 p. (in Russian).
Issue: 10, 2015
Series of issue: Issue 10
Rubric: THEORY OF LITERATURE
Pages: 150 — 156
Downloads: 679