PRECEDENT PHENOMENA IN RUSSIAN ROCK POETRY: TYPOLOGY AND SPECIFICS OF THEIR USAGE (ON THE MATERIAL OF THE SONG’S TEXTS BY N. A. O’SHEA)
DOI: 10.23951/1609-624X-2021-3-33-39
Introduction. The article considers typology and functional potential of precedent phenomena in song`s texts by N.A. O`Shea – a leader of the folk-rock group «Melnitsa». Aim and objectives. The aim of research is the identification of types of precedent phenomena used in the song`s texts by N. A. O’Shea and analysis of their functional features. The object of research is precedent phenomena of different types. Material and methods. Material of research is the song texts of which N.A. O`Shea is the author (personally or coauthored). The source of factual material is the albums of the rock group “Melnitsa” of different years. Empirical base of research is a result of usage of continuous sampling technique. During the study the author of the article the descriptive method and method of contextual analysis. Results and discussion. In the analysed texts N. A. O’Shea uses precedent phenomena of different types. The precedent names are frequency. They represent proper nouns of mythological creature (Scandinavian deity Odin), historical persons (warlord Tamerlane, musicians Freddy Mercury and Elvis Presley, writer and pilot A. de Saint-Exupéry) and literary characters (Tristan and Isolde). Such factors as a theme of the compositions or concept of the song or album, author`s interest in certain personality and respect for one’s dictate appeal to one or another precedent phenomenon. Precedent statements are the parts of cultural experience of poetess, she organically incorporates quotes from different sources (in their original form or transformed) in the song texts, makes them work for implementation of author`s idea. Precedent texts are the basis for creation of author`s legend. Some precedent titles induce particular associations by listeners; give cultural significance to the compositions. Conclusion. Precedent phenomena have two main functions in the song texts authorship of N. A. O’Shea: a function of creation of text modeling and meaning-forming function.
Keywords: rock poetry, precedent phenomena, N. A. O’Shea
References:
1. Moiseyev A. A. Intertekst v russkoy rok-poezii: problema izucheniya [Intertext in Russian rock poetry: to the problem of study]. Izvestiya Ural’skogo gosudarstvennogo pedagogicheskogo universiteta – Izvestiya of Ural State Pedagogical University, 2005, vol. 16, pp. 197–204 (in Russian).
2. Pilyute Yu. E. Nemetskoyazychnaya i russkoyazychnaya rok-poeziya: problemy tipologii. Dis. kand. filol. nauk [German and Russian rock poetry: problems of typology. Diss. cand. phil. sci.]. Kaliningrad, 2010. 218 p. (in Russian).
3. Mikhaylova A. I. Lingvisticheskiye i ekstralingvisticheskiye cherty sovremennogo rok-teksta [Linguistic and extraliguistic features of the modern rock text]. Gumanitarnye issledovaniya– Humanitarian Researches, 2016, vol. 1 (10), pp. 48–52 (in Russian).
4. Eremenko E. G. Intertekstual’nost’, intertekst i osnovnye intertekstual’nye formy v literature [Intertextuality, intertext and main intertextual forms in literature]. Ural’skiy filologicheskiy vestnik – Ural Journal of Philology, 2012, vol. 6, pp. 130–140 (in Russian).
5. Karaulov Yu. N. Russkiy yazyk i yazykovaya lichnost’ [Russian language and lingual personality]. Moscow, LKI Publ., 2010. 264 p. (in Russian).
6. Nazarova R. Z., Zolotarev M. V. Pretsedentnye fenomeny: problemy definitsi i iklassifikatsii pretsedentnykh fenomenov [Precedent phenomena: problems of definition and classification]. Izvestiya Saratovskogo universiteta – Izvestiya of Saratov University. New Series. Series: Philology. Journalism, 2015, vol. 1, pp. 17–23 (in Russian).
7. Krasnykh V. V. Etnopsikholingvistika i lingvokul’turologiya [Ethnopsycholiguistics and lingvoculturology]. Moscow, Gnosis Publ., 2002. 284 p. (in Russian).
8. Samoylova Yu. V. O pretsedentnosti i intertekstual’nosti (terminologicheskiy aspekt) [About precedency and intertextuality (terminological aspect)]. Vestnik Severo-Vostochnogo gosudarstvennogo universiteta – Vestnik of North-Eastern State University, 2014, vol. 21, pp. 38–42 (in Russian).
9. Vysotskaya I. V. Spornye voprosy teorii pretsedentnosti [The controversial issues in the theory of precendency]. Kritika i semiotika – Critique and Semiotics, 2013, vol. 1 (18), pp. 117–137 (in Russian).
10. Kochesokova M. N. Pretsedentnye fenomeny: rasshireniye semanticheskikh ramok teksta v russkoy rok-poezii [Precedent phenomena: expanding of semantic frames of text in Russian rock poetry]. Kul’turnaya zhizn’ yuga Rossii – Cultural Studies of Russian South, 2012, vol. 1 (44), pp. 90–91 (in Russian).
11. Kuzmich V. V. Allyuzivnost’ i intertekstual’nost’ rok-poezii [Allusion and intertextuality of rock poetry]. Sovremennye paradigmy lingvisticheskikh issledovaniy: metody i podkhody: materialy Mezhdunarodnoy nauchno-prakticheskoy konferentsii (Sterlitamak, 19–20 noyabrya 2018) [Modern paradigms of linguistic researches: methods and approaches: materials of the International scientific conference (Sterlitamak, November 19–20th, 2018]. Ufa, Bashkir State University Publ., 2018. Pp. 42–47 (in Russian).
12. Babenko E. A. Pretsedentnye imena so sferoy-istochnikom «Literatura i fol’klor» v russkoy rok-poezii [Precedential names with the «Literature and Folklore» source scope in the Russian rock poetry]. Yazyk – tekst – kommunikatsiya: materialy III Vserossiyskoy nauchno-prakticheskoy konferentsii «Chelovek, tekst, yazyk v sisteme sotsiogumanitarnogo znaniya (Nizhniy Tagil, 24 aprelya 2019), XIV Vserossiyskaya nauchnaya konferentsiya «Rechevaya kul’tura v raznykh sferakh obshcheniya» (Nizhniy Tagil, 24 noyabrya 2019) [Language – text – communication: materials of the III Russian National scientific and practical conference «Person, text, language in the system of sociological and humanistic knowledge» (Nizhny Tagil, April 24th 2019); XIV Russian National scientific conference «Speech culture in different spheres of communication» (Nizhniy Tagil, November 24th, 2019)]. Moscow, Mir nauki Publ., 2020. Pp. 57–61 (in Russian).
13. Demicheva N. A. Intertekstual’nost’ v tvorchestve gruppy «Tarakany!» [Intertextuality in the artistic creation of the band]. Russkaya rok-poeziya: tekst i kontekst, 2017, vol. 17, pp. 245–252 (in Russian).
14. Raznitsyna N. S. Motiv puti kak leitmotiv al’boma «Doroga sna» gruppy «Mel’nitsa» [The way motif as the leading motif of album «The Way of Dream» by band «Melnitsa»]. Russkaya rok-poeziya: tekst i kontekst, 2017, vol. 17, pp. 260–267 (in Russian).
15. Odintsova K. I., Oliunina M. V. Obraz kitsune v odnoimennoy pesne gruppy «Mel’nitsa» [Image of kitsune in the self-titled song of group “Melnitsa”]. Mirovaya literatura glazami sovremennoy molodezhi. Tsifrovaya epokha: sbornik materialov IV Mezhdunarodnoy molodezhnoy nauchno-prakticheskoy konferentsii [Youth vision for world literature. Digital age: materials of the IV International youth scientific and practical conference]. Magnitogorsk, Magnitogorsk State Technical University Publ., 2018. Pp. 296–300 (in Russian).
16. RyzhkovA. A. Istoki obraza goluboy travy v odnoimennoy pesne gruppy «Mel’nitsa»: ot mifa k rok-poezii [The origins of the image of «blue grass» in the self-titled song of group “Melnitsa”]. Gumanitarnye issledovaniya molodykh uchenykh Yuzhnogo Urala: sbornik statey ezhegodnoy konferentsii [Humanities Researches of young scientists of the Southern Ural: collection of articles of the annual conference]. Chelyabinsk, Chelyabinsk State University Publ., 2020. Pp. 236–242 (in Russian).
17. Kholina D. A., Ter-Oganova E. G. Kontseptualizatsiya smerti v mifopoeticheskoy kartine mira sovremennoy russkoy rok-poezii (na primere tvorchestva gruppy «Mel’nitsa») [Conceptualization of death in mythopoetic picture of the world of the modern Russian rock poetry (on the example of work of group “Melnitsa”)]. Yazyk, kommunikatsii i sotsial’naya sreda – Language, communication and Social Environment, 2012, vol. 10, pp. 257–272 (in Russian).
18. Chaykovskaya S. V. Idiostil’ sovremennogo otechestvennogo rok-poeta (na material tvorchestva N. A. O’Shey) [Idiostyle of the modern Russian rock poet (on the material of song creation by N. A. She]. Russkaya rechevaya kul’tura i tekst: materialy X Mezhdunarodnoy nauchnoy konferentsii, posvyashchennoy 25-letiyu kafedry russkogo yazyka [Russian speech culture and text: materials of the X International scientific conference dedicated to the twenty-fifth anniversary of the Russian Department]. Tomsk, TsNTI Publ., 2018. Pp. 109–115 (in Russian).
19. Mel’nitsa – ofitsial’nyy sayt [Melnitsa– official site] (in Russian). URL: http://melnitsa.info (accessed 26 December 2020).
20. Bulgakov M. A. Master i Margarita [Master and Margarita] (in Russian). URL: http://nashbulgakov.ru/books/mim_book (accessed 26 December 2020).
21. Serdtse, vechnost’ i kon’ki! [Heart, eternity and skates!] (in Russian). URL: https://nastya-tor.livejournal.com/39270.html (accessed 26 December 2020).
22. Byron G. Faretheewell [Fare thee well] (in Russian). URL: https://stihi.ru/2011/10/24/1471 (accessed 26 December 2020).
23. Shakespeare W. Gamlet [Hamlet](in Russian). URL: https://rustih.ru/shekspir-gamlet (accessed 26 December 2020).
24. Tarkovskiy A. Pervye svidaniya [The first dates] (in Russian). URL: https://rustih.ru/arsenij-tarkovskij-pervye-svidaniya (accessed 31 December 2020).
25. Surikov V. O chem poet Khelavisa. Natal’a O’Shey – ob iskusstve songraytinga [What does Helavisa sing about – about art of songwriting]. Ekspert – Expert, 2017, vol. 6 (in Russian). URL: https://expert.ru/expert/2017/06/o-chem-poet-helavisa (accessed 26 December 2020).
26. Odintsova K. I., Olyunina M. V. Interpretatsiya romana o Tristane i Izol’de v odnoimennykh pesnyakh gruppy «Mel’nitsa» [Interpretation of a novel about Tristan and Isolde in the single songs of the group “Melnitsa”]. Mediynye protsessy v sovremennom gumanitarnom prostranstve: podkhody k izucheniyu, evolyutsiya, perspektivy: materialy IV nauchno-prakticheskoy konferentsii [Media processes in modern humanitarian space: approaches to learning,evolution, perspectives: materials of the IV scientific and practical conference]. Stavropol, Logos Publ., 2019. Pp. 92-97 (in Russian).
27. Lorca F. G. Pres’osa i Veter [Preciosa and Wind] (in Russian). URL: http://artsportal.ru/poetry/15977 (accessed 31 December 2020).
Issue: 3, 2021
Series of issue: Issue 3
Rubric: ACTUAL PROBLEMS OF RUSSIAN STUDIES AND COMMUNICATIVE STYLISTICS OF THE TEXT
Pages: 33 — 39
Downloads: 649