GENRE-DISCOURSIVE SPECIFICITY OF SOMATIC CODE REPRESENTATION IN RUSSIAN LYRIC SONG (ON THE MATERIAL OF TEXTS CONTAINING LEXEME HEAD)
DOI: 10.23951/1609-624X-2021-1-28-34
Introduction. The article is devoted to the consideration of the semantic-cognitive and functional-pragmatic features of somatisms in the texts of Russian folklore lyric songs. The object of scientific description is the semantics of somatisms as markers of national identity, which receives conceptual comprehension in connection with its study in the aspect of genre-discursive originality of lyric songs. Aim and objectives. The aim of the research is to study the somatic code, explicated by the lexeme-somatism head in the folklore fragment of the Russian picture of the world, taking into account the genre-discursive conditionality of the functioning of this lexeme. Material and methods. 127 texts of Russian folklore lyric songs containing the lexeme-somatism head, selected by continuous sampling from a collection of lyric songs were used as the research material. The main research methods are observation methods, quantitative analysis, lexical-semantic analysis, elements of discourse and conceptual analysis are used. Results and discussion. The starting point of the study was the thesis that somatisms have not only linguistic, speech, but also linguoculturological and linguo-cognitive status. Somatisms are rightfully defined as linguistic markers of the cultural code of Russian identity and a fragment of the national picture of the world. In the meaning of most Russian somatisms, there is a pronounced national-cultural component of meaning. The lexeme-somatism head belongs to the content of especially significant somatisms, since in the linguistic picture of the world it implements conceptual concepts that are important for understanding the mentality of the Russian people: «the owner of the family» (at the head of the family), «the main person in the house» (at the head of the table), «trait of a national character” (rave head), etc. These interpretations have the specificity of implementation in lyric songs of different genre and discursive nature. The last parameter is defined as extralinguistic, related directly to the thematic content of each specific text. The last parameter is defined as extralinguistic, related directly to the thematic content of each specific text. Among the genre varieties of lyric songs are analyzed love, family, military, workers, anticlerical, coachman, burlak lyric songs, songs about village holidays, about everyday life. The study also revealed common features that reflect the functioning of the head somatism in the lyric songs in general. These features are due to a special kind of lyricism: penetration, reflexivity, heightened feelings of the author, the ultimate subjectivism of the narrative. Conclusion. The study of somatisms in the aspect of their culturological marking makes it possible to identify the specifics of their semantics, pragmatics and functioning in texts of different genre and discursive orientation. The interpretation of the somatic code of Russian culture by means of an analysis of somatisms is deepened and objectified in the context of the genre-discursive approach.
Keywords: somatic culture code, somatisms, folklore texts, Russian folklore lyric songs, genre
References:
1. Maslova V. A., Pimenova M. V. Kody lingvokul’tury: uchebnoye posobiye. 2-e izd. [Linguoculture codes: tutorial]. Moscow, Flinta Publ., 2016. 180 p. (in Russian).
2. Krasnykh V. V. Kody i etalony kul’tury (priglasheniye k razgovoru) [Codes and standards of culture (invitation to talk)]. Yazyk, soznaniye, kommunikatsiya [Language, consciousness, communication]. Мoscow, MAKS Press Publ., 2001. Vol. 19. Рр. 5‒19 (in Russian).
3. Gudkov D. B., Kovshova M. L. Telesnyy kod russkoy kul’tury: materialy k slovaryu [The corporal code of Russian culture: materials for the dictionary]. Moscow, Gnozis Publ., 2007. 288 p. (in Russian).
4. Sayfi L. A. Kontseptualizatsiya somaticheskogo obraza cheloveka v yazyke i diskursivnykh praktikakh (na materiale sovremennogo angliyskogo yazyka). Avtoref. dis. kand. filol. nauk [Conceptualization of the somatic image of a person in language and discursive practices (based on the material of modern English). Abstract of thesis of cand. philol. sci.]. Ufa, 2008. 26 p. (in Russian).
5. Beysembayeva A. U. Somaticheskiy kod kak odin iz osnovnykh kodov kul’tury [Somatic code as one of the main codes of culture]. NovaInfo, 2016, vol. 3, no. 46, pp. 280‒283 (in Russian).
6. Klimenko G. V. Somaticheskiy kod russkoy kul’tury (na primere leksemy «litso») [Somatic code of Russian culture (for example, the lexeme «face»)]. Verkhnevolzhskiy filologicheskiy vestnik – Verkhnevolzhsky Philological Bulletin, 2019, no. 4 (19), pp. 222‒230 (in Russian).
7. Vorkachev S. G. Lingvokul’turologiya, yazykovaya lichnost’, kontsept: stanovleniye antropotsentricheskoy paradigmy v yazykoznanii [Linguoculturology, linguistic personality, concept: the formation of an anthropocentric paradigm in linguistics]. Filologicheskiye nauki – Philology. Theory and Practice. 2001, no. 1, pp. 64‒72 (in Russian).
8. Alekseyeva O. I. Pesennyy fol’klor kak sotsiokul’turnoye yavleniye narodnoy khudozhestvennoy kul’tury [Song folklore as a socio-cultural phenomenon of folk art culture]. Nauka, iskusstvo, kul’tura [Science, art, culture]. Belgorod: Belgorodskiy gosudarstvennyy institut iskusstv i kul’tury Publ., 2012. Pp. 18‒25 (in Russian).
9. Lazutin S. G. Poetika russkogo fol’klora: uchebnoye posobiye. 2-e izd., ispr. i dop. [Poetics of Russian folklore: tutorial. 2nd edition, revised and enlarged]. Moscow, Vysshaya shkola Publ., 1989. 208 p. (in Russian).
10. Lassan E. Liricheskaya pesnya kak ideologicheskiy fenomen [Lyric song as an ideological phenomenon]. Politicheskaya lingvistika – Political Linguistics Journal, 2009, no. 4 (30), pp. 14‒31 (in Russian).
11. Liricheskiye pesni. Sostavleniye, predisloviye i primechaniye P. S. Vykhodtseva [Lyric songs. Compilation, preface and note by P.S.Vykhodtsev]. Moscow, Sovremennik Publ., 1990. 653 p. (in Russian).
12. Tubalova I. V., Emer Yu. A. Tsennostnaya kartina mira traditsionnogo i sovremennogo fol’klora [Axiological picture of the world of traditional and modern folklore]. In: Dronova L. P. et al. Kartiny russkogo mira: aksiologiya v yazyke i tekste. Otvetstvennyy redaktor Z. I. Rezanova [Images of the Russian world: Axiology in language and text. Edited by Z. I. Rezanova]. Tomsk, Tomsk State University Publ., 2005. Рр. 257‒296 (in Russian).
13. Emer Yu. A. Sovremennyy pesennyy fol’klor. Kognitsii i diskursy [Modern song folklore. Cognitions and discourses]. Tomsk, Tomsk State University Publ., 2011. 220 p. (in Russian).
14. Ozhegov S. I., Shvedova N. Yu. Tolkovyy slovar’ russkogo yazyka 4-e izd., dop. [Explanatory dictionary of the Russian language]. Moscow, Azbukovnik Publ., 2000. 944 p. (in Russian).
15. Zhirov M. S., Alekseyeva O. I. Sovremennyy Renessans russkoy narodnoy pesni: kul’turologicheskiy analiz [Modern Renaissance of Russian folk song: a cultural analysis]. Nauchnyy rezul’tat. Seriya «Sotsial’nyye i gumanitarnyye issledovaniya» – Research result. Social Studies and Humanities, 2014, no. 1 (1), pp. 54‒62 (in Russian).
( 398.23 kB ) 
( 389.71 kB )
Issue: 1, 2021
Series of issue: Issue 1
Rubric: CULTURAL LINGUISTICS AND INTERCULTURAL COMMUNICATION
Pages: 28 — 34
Downloads: 562