VISUAL MODEL OF PROSE OF A. BELY’S
In prosaic works of A. Bely was formed the visual model of the text of nonclassical type a common feature of which is the discrete space of the page set by such visual and graphic strategies as indent, interval, graphic equivalent of the text, vertically positioned and shaped blocks of text. Visual discretization of prosaic works of A. Bely is natural manifestation of the features of visual thinking of the writer created under direct influence of the theory of nonlinearityas outlooks. New strategy of creation of text visual space by A. Bely marked a new era of visual thinking and gained development not only in the XX century, but also in the recent literature.
Keywords: visual model, visual thinking, indent, graphic equivalent of the text, space of the page, interval
References:
1. Pasternak B. L., Pilnyak B. А., Sannikov G. А. Andrey Bely (obituary). Andrey Bely: pro et contra: The personality and creative works of Andrey Bely in the estimation and interpretation of the contemporaries: anthology. St. Petersburg, RHGI Publ., 2004. 1046 p. (in Russian).
2. Andrey Bely. Letters to A. M. Miskaryan (publication and introductory note Nvard Teryan). Russian literature, 1973, no. 1, pp. 155–158 (in Russian).
3. Kozhevnikova N. А. Andrey Bely's language. Мoscow, Institut russkogo yazyka RAN Publ., 1992. 256 p. (in Russian).
4. Kaidzava Kh. Idea of a discontinuity of N. V. Bugayev in early theoretical works by A. Bely and P. Florensky. Moscow and “Moscow” by Andrey Bely: collection of articles. Мoscow, RGGU Publ., 1999. Pp. 29–44 (in Russian).
5. Kaukhchishvili N. М. Andrey Bely and Nikolay Bugayev. Moscow and “Moscow” by Andrey Bely: collection of articles. Мoscow, RGGU Publ., 1999, pp. 45–57 (in Russian).
6. Bely А. The tangle of snowstorms: fourth symphony. Moscow, Skorpion Publ., 1908. 229 p. (in Russian).
7. Bely А. Kotik Letayev. Petersburg, Epoha Publ., 1922. 292 p. (in Russian).
8. Bely А. The Сhristened Chinese. Мoscow, 1927. 235 p. (in Russian).
9. Bely А. Notes of the crank. Vol. 1. Мoscow, Berlin: Gelikon Publ., 1922. 214 p. (in Russian).
10. Bely А. Why I became the symbolist and why I didn't stop being him in all phases of my ideological and art development. Symbolism as outlook. Мoscow, Respublika Publ., 1994. Pp. 418–493. (in Russian).
11. Barkovskaya N. V. Rhythms of the sound meaning in the works by A. Bely 1920s. Tomsk State Pedagogical University Bulletin, 2006, vol. 8 (59), pp. 75–81 (in Russian).
Issue: 11, 2014
Series of issue: Issue 11
Rubric: HISTORICAL POTENTIALS AND MANIFESTATIONS OF CONVENTIONALITY
Pages: 49 — 54
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