POETICS OF ARTISTIC CONVENTION IN A SMALL PROSE 1920S
We have studied specific mechanisms for creating of artistic model of small prose genres based on variant use of the principles of conditionality. Observations are made on the conceptual framework, on the formal principles expressing the author's position of short stories by Mikhail Bulgakov, S. Semenov, O. Forhs, which is devoted the problems of man and history, man in the historic civil confrontation. We analyzed productive genre and style forming guidelines, that let the writers develop an image of the world that combines visual and expressive fundamentals allowing authentically reflect historical reality and at the same time convey the nuances of human consciousness and the subconscious in the historical reality deforming the man. Conclusions have been drawn about the nature of artistic experiment, based on a synthesis of the classical tradition and contemporary trends that influenced the formation of individual style of writers that defined the aesthetic strategies in Russian literature of the 1920s.
Keywords: poetics, small prose, artistic convention, expressionism, direction, realism, synthesis, method
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Issue: 11, 2014
Series of issue: Issue 11
Rubric: HISTORICAL POTENTIALS AND MANIFESTATIONS OF CONVENTIONALITY
Pages: 42 — 48
Downloads: 779