TURGENEV’S “FATHERS AND SONS” IN THE CINEMA RECEPTION BY A. SMIRNOVA
The article deals with the problem of interpretative variety of Russian classics in line with structural-semantic theory of receptive codes. A. Smirnova’s film “Fathers and sons” is seen as attempt of the lyrical reception of the novel, activating the basic structural principles of Turgenev’s discourse.
Keywords: convergent discourse, receptive model, decrypting code, lyrical undertones
References:
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Issue: 11, 2013
Series of issue: Issue 11
Rubric: THE FAMILY CONCEPT IN THE PARADIGM OF ARTISTIC CONSCIOUSNESS AND AUTHOR’S MODELS
Pages: 63 — 68
Downloads: 940