Search

The content and instruments of representation of the concept “love” in Zabolotsky’s lyrics of different years // Tomsk State Pedagogical University Bulletin. 2023. Issue 6 (230). P. 103-110

The concept of love is one of the key concepts in N. A. Zabolotsky’s lyrics. Outstanding manifestation of the concept of love researches noticed in the late poet’s lyrics, however, in the early period of creation, in the cycles “City columns” and “Mixed Columns” the concept of “love” is also in the picture but used for the main writer’s idea to show the spiritless and spoiled world of NEP, that’s why it acquires unusual forms of verbalization and peculiar content. The purpose of the article is to identify the features of the content and ways of representing the concept of “love” at the early and late periods of N. A. Zabolotsky’s creativity. The article represents the results of the analysis of N. A. Zabolotsky’s poems of different years, including the concept of “love”. Biographical, semantic-stylistic, contextual, comparative, as well as conceptual methods are used, which allow revealing the features of the content, representation and perception of the concept of “love” in N. A. Zabolotsky’s lyrics by the reader. The analysis of the poems made it possible to identify and formulate the features of the content and structure of the concept of “love” in the lyrics of N. A. Zabolotsky. The difficult period of New Economic Policy had an affect at his creativity: in his first cycles “City Columns” and “Mixed Columns”, author creates an inverted, “turned inside out” world in which love exists only as animal passion and immorality. There is no woman as an object of love in this world, there are only “either sirens, or girls” and “women”. In the later period, due to N. A. Zabolotsky’s passion for philosophical ideas, the concept of “love” was modified both in terms of content and in methods of representation. In the later period, due to N. A. Zabolotsky’s passion for philosophical ideas, the concept of “love” was modified both in terms of content and in methods of representation. A woman and a wife comes to the first level as an object of love, and feeling becomes deep and pure. The analysis of stylistic, linguistic and artistic features of N. A. Zabolotsky’s lyrics of different years allowed us to formulate the peculiarities of the transformation of the concept of “love” relative to the early and late periods of creativity.

Keywords: concept, art concept, language element, associative-semantic area, stylistic method

The content of the concept of “creativity” and the means of its verbalization in N. A. Zabolotsky’s lyrics of different years // Tomsk State Pedagogical University Bulletin. 2024. Issue 4 (234). P. 68-74

N. A. Zabolotsky’s worldview remains insufficiently studied. Among the key concepts of interest for the study of the author’s idiosyncrasy, the concept of “creativity” can be distinguished. An important part in the analysis of the poet’s conceptual sphere is the identification of the lexical structure, content and representation of the concept of “creativity” in the poet’s lyrics of different years. The goal of the work is to identify the features of the structure and ways of representing the concept of “creativity” in N. A. Zabolotsky’s lyrics in different periods of the poet’s work. The research uses the continuous sampling method, conceptual analysis, biographical, comparative, contextual, semantic and stylistic. The article presents the results of a study of N. A. Zabolotsky’s poems from 1926 to 1958, which used the direct nominee of the concept “creativity” and associatively and semantically related lexemes. Using the methodology of modeling intertextual associative-semantic parts allowed us to identify the features of the content of the concept of “creativity” and its lexical embodiment in the communicative and activity aspect. The study was conducted in line with the communicative style. As a result of the analysis of N. A. Zabolotsky’s poems from different years, the features of the content and lexical embodiment of one of the key concepts of the poet’s lyrics – “creativity” in the dynamics of the author’s poetic activity were determined. The nominee of the concept is rarely represented in the author’s poetic texts, but is verbalized through multiple textual associations, for example: “singing”, “art”, “music”, “poetry”, etc. In the early period of the poet’s work, the nature of his perception of the surrounding reality is reflected in the content of the concept of “creativity”. In the author’s collections “Urban Columns” and “Mixed Columns” N. A. Zabolotsky, depicting the “inverted” and absurd world of the NEP era, creates a specific version of the understanding of the concept of “creativity”, which differs from the interpretation of the concept in late lyrics. The later lyrical works of N. A. Zabolotsky reflect a more familiar understanding of the concept of “creativity” for the reader. His philosophical views was changed. Some events of the poet’s personal life affect the author’s worldview, reflected in the content and means of representation of the concept under consideration. In the late period, Zabolotsky’s creativity is often associated with nature, which is the inspiration, reflection or independent creator of a particular type of art. The analysis of N. A. Zabolotsky’s lyrical works from different years made it possible to identify and formulate the features of the content and lexical embodiment of the concept of “creativity” in poems from 1926 to 1958. The results are important for the study of the evolution of the author’s poetic worldview.

Keywords: concept, artistic concept, keyword, associative semantic field, stylistic device